Farid Belkahia (1934-2014) is a pioneer of Moroccan modern art, blending traditional heritage and contemporary abstraction. His work, preserved and promoted by the Farid Belkahia Foundation, continues to inspire new generations through exhibitions, auctions and active support for young artists.
Upon his return to Morocco in 1962, Belkahia was appointed director of the Casablanca School of Fine Arts, a position he held until 1974. He played a crucial role in the modernization of art education in Morocco, encouraging a more contemporary and theoretical approach to art. His work contributed to the birth of what is known as the "Casablanca School", a movement that sought to enhance Moroccan artistic identity while exploring new forms of expression.
Abandoning painting on canvas, he explored supports such as copper, wood and especially skin, using natural pigments to create iconic works. Notable creations include "Transe" (1986) , "La dérive des continents" (2004) , "La Main" (1995) , "Hommage aux signes" (2001) and "Les Mains de Fatima" (1998) , which illustrate his mastery of materials and forms. His art is often imbued with Amazigh symbols and geometric patterns, offering a contemporary reinterpretation of Moroccan artistic traditions.
He collaborates with several institutions and museums, including the Institut du Monde Arabe in Paris, where his works have been exhibited in several prestigious exhibitions. He also explores the technique of working on hammered copper, a material that he considers a direct link with Moroccan artisanal heritage.
One of his key concepts is the "Rouah", which means soul or breath in Arabic, and which represents his commitment to giving a spiritual dimension to his art. He places great importance on the relationship between art and cultural identity, particularly through his exploration of the Berber language and Arabic calligraphy.
January 29, 2025
